It allows the use of two hands while editing, so transport control and selecting clips can be done while performing edits. You want to see something in a different way, turn it on.īlackmagic also introduced the DaVinci Resolve Editor Keyboard, a new premium keyboard for Resolve that helps improve the speed of editing. That’s another theme with Resolve 16 - if you don’t want to see the Fairlight tab, turn it off. You get in, you edit and you go - it’s speedy, like editing triage.įor those who don’t want to edit this way, no worries, you don’t have to use this new tab. Think of having a client behind you watching you cut something together, or maybe showing your director a rough cut. While Resolve still has its usual robust editing offerings, this particular cut page is designed for those working on short-form projects and on tight deadlines. “That became the weird new normal,” he says.įor more on our conversation with Jacobs, watch our interview here…īlackmagic was at NAB with Resolve 16, which in addition to dozens of new features includes a new editing tab focused on speed. When COVID hit, Marvel produced WandaVision inhouse with its new finishing team and no one else in the room. “This meant working within the Marvel security bubble to build our own internal finishing suite with our own colorists inside,” he explains. While Marvel has strong partners in theatrical finishing off the lot, they decided to build a bigger mousetrap for this increased workload. “But we planned for it and had already changed and modified our work approach to do this extra work.” “So, our output as a studio increased dramatically as the pandemic struck,” he explains. They additionally announced that Marvel was going to produce streaming shows, meaning six hours of content instead of two for a film. Up until the pandemic, Marvel was producing two to three movies a year, but just before the lockdown, the studio announced the Disney+ platform. How did Marvel deal with the pandemic? Well, with some fortuitous planning. “It’s not that we want everything to look the same,” he says, “but we are building a cinematic universe, so we want a viewpoint that threads throughout the whole thing.”Īside from about four weeks at the start of the pandemic, Jacobs has been on the Marvel lot, along with a few others, initially to deliver Black Widow for theatrical release. Jacobs compares his job, in a way, to a product manager for the visual side of Marvel, making sure there is consistency across all the shows. On a day-to-day basis, you’ll find Jacobs is sitting in on DI sessions with a variety of creative teams, saying things like, “Thor’s cape is the wrong color, it was this color in the other show.” With eight years at the studio, much of that information is in Jacobs’ head, but when in doubt he has the library of Marvel content to reference. Jacobs has the incredibly important job of, as he puts it, “carrying the ball through post production” for all the studios’ theatrical, streaming and marketing projects to make sure all the creative standards are met. We recently spoke to Marvel Studios’ Evan Jacobs for our NAB Season coverage. PostPerspective readers can get 50% off of registration with Promo Code JOINME50. To learn more about the event, click here. Amy DeLouise, GalsNGear founder and CEO, DeLouise Enterprises.Tracey Bissett, principal, Bissett Financial Fitness.Pamela Sams, principal, Jackson Sams Financial.Adrena Ifill, CEO, Ifill/Doubleback Global Group.April Carty-Sipp, EVP, National Association of Broadcasters.Cynthia Kanner, SVP post production, HBO.Claudina Lopez, director, game software Partnerships and development, Dell Technologies.The event targets women in pivotal positions across the streaming media, broadcast, film, technology and content production spheres who are reevaluating their career goals and questioning what’s next for the media and entertainment industry in 2022 and beyond. The event will be held on December 15 and 16. GalsNGear and NAB will be co-hosting Level Up, a virtual two-day career accelerator for women leaders in media and entertainment.
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